52 Forms of Fungi || #38

The odds seem to be against me this week in getting photos of the phases I've been working on.  I made it to a favorite photo spot just as the sun was going down yesterday to capture this species and another that will be posted tomorrow, only to realize that I left my SD card at home (At least I had tacos to look forward to afterward).  This morning before work, it was still too dark by the time I had to leave.  This afternoon--- steady rain and dim outside.  This leads me to realize that every phase to date has been shot in clear weather, so why not get a couple when it's damp?  It's a nice contrast.  In any case after a little while of crawling around in the back yard in my raincoat...

Western amethyst laccaria.  Not found in my area, but I would love to run across it one day.  I don't know what it is, but the purple fungi grab my attention the most.  My favorite about this species was the variegation in color of the stalk.  I knitted with two strands of different shades to achieve that effect.

This installation was created for my 52 Forms of Fungi project.  Check out more phases from this project, here.

52 Forms of Fungi || #37

I've knitted a lot of mushrooms (including boletes) over the past couple of years, and this is by far the largest one.  King bolete is an impressive specimen, and I would love to make another that's even closer to the large end of the scale.  How exciting it must be for the mushroom forager to come across one of these out in nature!

This species was knitted as part of my 52 Forms of Fungi project.  See more forms for the project here.

For the holiday shoppers - I have prints and knitted fungi available in my shop!

52 Forms of Fungi || #36

I made a bunch of these for an art event at a local park that I was going to be a part of last month, but I ended up unable to participate at the last minute due to some things happening in my family.  This is the first chanterelle I've done -- cinnabar-red chanterelle, to be exact.  I enjoy doing the stitch detailing for the gills such as with Lactarius indigo.  It wasn't quite as pronounced on these since they are so much smaller, but I like how they turned out.

It's been a productive weekend on the knitted fungi front - as I'm trying to wrap up this series, I have about 3 others ready to post and one that will be ready in the next couple of days.  The shorter days reduce the amount of time I have to get out and shoot photos of these after I get home from work (or before work, for that matter), but I will do my best!  I would like to complete the series shortly after the New Year, if not before, so efforts will be amped up a little... which means more to see here on the blog until then!  A holiday surprise...

Thanks to everyone for following along!  Check out more posts from this series here.

52 Forms of Fungi || #35

Dung bell, a charming name, isn't it?  These cute little guys are often associated with cow manure and grow in masses.  I thought about throwing some dog poo in the photos for effect, but when I realized that meant I would be crawling around in the grass with my camera next to dog poo, I decided against it.  These were fun and simple to make.  I might churn out some more for a small piece, which I've been working on a collection of.  Just in time for the holidays!

This structure was knitted as part of my 52 Forms of Fungi project. Check out more of the forms from this project.

52 Forms of Fungi || #34

In Washington, we hiked in the Snoqualmie-Mt. Baker National Forest in the North Cascades, which was pretty much heaven for me in terms of the ecosystem and diversity of fungi.  One of the most striking species we came across had a cap of deep purple that had somewhat of a shimmer to it (perhaps from moisture on the tiny hairs?).  The rich, dark color was easy to overlook in the shadows of the trees, but was truly beautiful to behold.  As I was going through my new guidebook that I mentioned in the last post, I knew as soon as I flipped to the page that this is what I had seen.  Violet cort.  I also thought it funny that this species has been on my list for a while, as I was drawn to it in earlier research.  I really had no idea how much it would impact me to see it in person, but feel fortunate to have had the opportunity.  The bottom photo shows one of the mushrooms that I observed.  The setting is vastly different, but in November in Oklahoma, you work with what you can!

This structure was knitted as part of my 52 Forms of Fungi project. Check out more of the forms from this project.

52 Forms of Fungi || #33

While in the Paxton Gate store in Portland, OR last month, I picked up a field guide to western mushrooms entitled All That the Rain Promises, and More, by David Arora. If you take a look at the cover, you'll see why it caught my eye - it depicts a trombone player in concert attire, sneaking around harvesting mushrooms before a gig.  I laughed, and then opened it up to discover that it's actually a pretty informative and user friendly guide and then decided to buy it as a souvenir.

While looking through and spotting many of what I believe to be the species I saw in the North Cascades during the same trip, I was also inspired by some of them for this series and added to my list of fungi to knit.  The first is velvety black earth tongue.  The dark color and dainty form stood out to me, since it's pretty different from most of the species I've incorporated into this project.

This structure was knitted as part of my 52 Forms of Fungi project. Check out more of the forms from this project.

Off the Needles || Foliage Wrap

 The Foliage wrap (by Anne Thompson).  If you saw my previous post about this, you'll remember that I received some Crazy Sexy Wool from Wool and the Gang to try out in one of my projects.  Since I already have an abundance of scarves and cowls, I decided to do something a little different with it and found this pattern on Ravelry.  I had a little less yardage than the pattern called for, however, so I made some modifications on the number of rows which was made up by the larger gauge, in measurements.  Before blocking I wasn't really sure how it would turn out, but it flattened nicely and spread out a little for a fit with a little more ease (though not much more).

The belt is what makes it work.  This is a pretty bulky knit, and drawing the garment in at the waist gives it a bit of a peplum look, in my opinion.  I like it with the black pants, but it could easily be paired with a  dress as well.  The pattern page shows it worn upside down, with the leaf edging as the collar.  I   didn't notice that until just now or I may have tried it that way for some of the photos as well, but I'm curious about it now-- on the next wear, definitely.

Since I normally work in pretty small gauge, this is by far the bulkiest piece I have made to date (aside from accessories).  The speed is a nice change from what I'm used to - talk about instant gratification!  It may have taken a while to get some final photos of the project, but this was finished within days of the previous post.

What gauge do you knitters prefer working with?  Are chunky knits your thing, or do you get wrapped up in tiny gauges like myself?  I might have been won over to projects like this one, just every once in a while...

Witch's Hair

 When we started planning our recent trip to Washington state, I knew that I wanted to take advantage of the landscape for at least one small installation.  Time was not abundant, so in the end it turned out to be pretty minimal.  After getting my lichen feet wet through collaborating with Sarah Hearn this spring, I've spent much of the summer planning out some new work that branches into lichen territory.  I love knitting fungi, but also find lichen to be extremely fascinating the more I learn about it.  And the more I observe it I find that I just can't help stopping to get up close and take in every one that I spot.  It's hard to pull away at times!

This piece was inspired by Witch's hair (a rather magnified version of witch's hair).  I wish I could have made it larger, but I do intend to continue exploring this species for a larger body of work that I've begun, so if you like it then stick around!

Just after I took my last photo, I heard a creak and glanced over to see a large snag tip and crash to the ground across the trail about 50 feet away.  No one was nearby, thankfully, but it was magnificent to see.  It's strange how an incident like witnessing a giant fall to the ground like that can make you feel so small, when it also brings you to realize that the giant itself is minuscule in comparison to the magnitude of the world.  Nature is so vast.  We are but one tiny component in this, yet we as humans feel that we control it all.  It's a nice reminder that the world keeps spinning, trees keep growing and falling and the Earth will continue to nurture everything on it until the end of time.  I feel refreshed and inspired with each moment that I spend in the wild.

New Pattern || Exoskeleton

This pattern has been a long time coming, so to say I'm excited to finally release it is an understatement.   I experimented with elongated stitch a few years ago, which involves a series of drop stitches creating the unique oval texture you see in the body of the shawl.  The entire time I was knitting it I kept thinking of watching roly polys (or doodle bugs, everyone has their own name for them) in my back yard as a kid.  The crossing and length of the stitches in this pattern reminded me of their little shells, their exoskeletons.  Thus, the origin of the name, Exoskeleton.  While I chose the name based on an association with the stitch pattern, I think a shawl in itself is a sort of second skin, another layer of protection and warmth.

Thank you to my lovely friend Jenna for modeling for me, despite the fact that it took me over a year to put the photos to use.  Cheers to shawl season!

You may purchase the pattern in my Ravelry store or on Etsy.

On My Needles || Still Light Tunic

It seems like I've had a slew of "On My Needles" posts lately, but have a stack of finished projects in my studio just waiting for a photo shoot to wrap them up.  One of my plans for this weekend is to work on getting images of some finished pieces, so by next week you should be seeing completed projects instead of just those that are in progress!

This is my Still Light tunic, designed by Veera Valimaki.  I had never made anything she designed before Whispers, so it's funny that the very next thing I cast on was this project.  It's been on my queue for a couple of years now, and I actually bought the pattern back in 2012 or 2013, so I felt like it was time.

The yarn is Knit Picks Gloss in the Robot colorway.  I normally like vibrant colors for my knitwear projects, but this time I decided that I need a neutral piece in my wardrobe.  Plus, I also love brightly colored and patterned tights, and this would be perfect to wear with those.  My gauge was a little smaller than what the pattern called for, so I added in some repeats and length, which i will go into in further detail on my final post.

Overall, this pattern entails a ton of stockinette.  It's knitted top down, a really simple construction, and is great for mindless/meditative knitting (my favorite kind!).  The space above the pockets sort of balloons out, and then comes back in.  It looks like a flattering fit in the pattern photos… we shall see.  As long as the form turns out right it will be a perfect, cozy layering piece for the fall and winter months with a soft blend of wool and silk.

I just have a few more inches of stockinette stick along the bottom to go, then the ribbed edge, sleeves and pockets.  Maybe by Halloween there will be something to show for it...

52 Forms of Fungi || #32

Sarcosphaera coronaria.  A grayish rubbery (in appearance) egg shape forms only to break open and reveal a beautiful purple interior.  It's like the geode of fungi!  So beautiful.  This is another great example of a species that just stunned me with its unique features when I was researching new forms to create.  As if there's a species of fungi that doesn't have that result.

According to Wikipedia, it grows in the mountains within coniferous forests, forming underneath humus on the forest floor and often appearing after the snow begins to melt away.  It can also apparently bioaccumulate toxic chemicals such as arsenic.  I wonder if it may be cultivated for bioremediation?  It's amazing what nature can do.

I used Berroco Ultra Alpaca Fine yarn for this phase, which was so graciously provided to me by Berroco.  Just a couple of phases are left to create from the stash they sent me, on top of the 20 forms left to complete the series.  Violet crown cup utilized the Steel Cut Oats and Lavender Mix color ways. No matter the gauge of Ultra Alpaca used, one of my favorite parts of this yarn (besides the softness) is the stitch definition.  I use it for so many projects!

This structure was knitted as part of my 52 Forms of Fungi project. Check out more of the forms from this project.

Wool and the Gang || Crazy Sexy Wool

 To be fully honest, the blogs that I follow are a little heavier on design than they are on knitting.  While I love knitting (obviously), I find that the hip curation of fashion/lifestyle/home decor by design bloggers piques my interest a little more strongly.  Furthermore, when their posts come full circle to tie in knitting or nature (my other obvious interest), I'm all the more intrigued and energized by it.  Thus, my feelings about Wool and the Gang.  I first came across this company a couple of years back through one of the aforementioned blogs and really dug their crisp, minimalistic, modern aesthetic.  Upon looking into them a little further, I discovered their focus on quality, sustainable craftsmanship in fashion, and an emphasis on sustainable and recycled yarns.  WATG designs simple knitting patterns that may be purchased as kits or separately as yarn and pattern to encourage handmade fashion… and if you're not a knitter you can buy the garments hand made by one of the WATG makers.  Pretty basic, huh?  Basic, but personal, and with beautiful products to boot.

When WATG reached out about getting some of their yarn into my hands to try out, I was clearly all about it.  A week later, I had two balls of Crazy Sexy Wool in my possession, in the Magic Mint colorway.  When I think of mint green, I picture… well, the walls in my study, because that's one of our colors of choice when it comes to home ambiance.  Rather than the sherbet green, this shade of the yarn is more of a cool, minty blue.  I can almost smell peppermint when I look at it… or maybe that's just my essential oil diffuser.  No matter.  Color often drives my instincts when it comes to yarn selection, so when I opened the package the day it arrived I was instantly drawn to the vibrancy of the hue.

When I reached in to grasp the yarn, an involuntary sigh definitely happened as my hand melted into the softness.  This is some seriously soft yarn.  Super bulky, too - probably one of the bulkier yarns that I have worked with.  I'm also a sucker for single-ply yarns.  Whether it's the case or not, I always feel like I'm knitting with handspun yarn when I work with single-ply.  With some single-ply yarns the fiber will pull and break apart in the middle of a project, but I had no such experience with this yarn.  It's just as taut and strong as a plied one.

As someone with an abundance of cowls and oversized scarves, I decided I wanted to try something a little different with this 100% Peruvian wool.  Since I normally work with a pretty small gauge it was a difficult decision, but I finally settled on a variation of the Foliage Wrap by Anne Thompson, a vest with a large leaf edging around the bottom.  Given my lack of experience with bulky non-accessory garments, this may or may not be the final form of the yarn.  If I don't like the project after it's blocked, I may frog it and go for a hat instead.  No tears lost over a little more time with this chunky goodness.

Each ball of Crazy Sexy Wool has 87 yards, and I must say that I am impressed at how far one ball of the yarn takes you - much farther than I expected.  The vest is nearly done, so expect photos of it soon, or, you know, photos of some other mystery garment if I decide in the end that the pattern doesn't work for me after all.  Another bonus: working with US 19 needles goes a lot faster than US 3.

Wool and the Gang provided the yarn for this review, but all words and opinions are my own.

On My Needles || Whispers

I feel like I should state up front: this was not at all an original idea.  The Whispers pattern by Veera Valimaki has been floating around in the back of my head, appealing to the part of my brain that regulates "start-itis" since it appeared on Ravelry one day.  It's an adorable, feminine pattern that's great for the changing of the seasons (or even summertime, if you use some plant-based fiber).  I was sold on the prospect of making one for myself after I saw Cassy's project on Knitthehellout.  She used this gorgeous ombre dyed yarn by Black Trillium Fibres on Etsy, and I couldn't stop looking at the FO, it was so pretty.  I went online to check out the shop and ended up buying myself a 31st birthday present of the Lilt sock gradient kit in plum and downloaded the pattern.  Normally, I'm not one to copycat, but I give Cassy full credit for this brilliant idea and hope that mine turns out half as great as hers did.  Truth be told, it's already bound off and waiting for blocking - hopefully I can get some finished photos in the next few weeks!

We're nearing the beginning of Autumn here in Oklahoma, which is music to my ears!  Today is supposed to be the last miserably hot day before we get hit with a couple of cold fronts that should keep us in pleasant territory for a while.  This means it's hiking season again!  I'm excited to get in a little outdoors time this weekend.  What are your favorite things to do during the transition of seasons?

Off the Needles || Ruckle

Ruckle.  I've been getting into knitted tunics lately.  For a while, it was cardigans and then I had a couple of knit tops turn out a little long and now here I am, enveloped in an oversized knit garment with all the comfort in the world.  I still stand by everything I said in my previous post about this project.  If you get tired of mundane, top down construction, this pattern is for you.  It does involve some seaming at the end, but the yoke and the bottom edge make it all worthwhile.

The pattern is free on Ravelry, designed by Norah Gaughan.  I used Berroco Lago in Deep End for my project.  It drapes beautifully and I've been wearing it in August in Oklahoma without too much misery from the heat.  Works great layered over a dress or with jeans!

Bits and Pieces

Here is a peek at progress on something I've been working on.  It may not look like much, but there are a few hundred little i-cords there.  Every piece is a part of something bigger… sometimes it takes a while to see the bigger picture.

I'm excited about this work and can't wait to share with you how it progresses.

On My Needles || Ruckle

With each passing season, I tend to do some serious reorganization on my Ravelry queue.  The length of it is massive.  While I know I'll never actually knit EVERYTHING on my list, it's nice to have a place to record those "things I'd like to make" whether it's because of unique construction or texture, striking color combos or just because it's the perfect garment for that season.  Ruckle has been on this list for quite a while and though it never really hovered near the top, summertime hit, the desire to knit a garment made with plant fibers that would be breezy yet interesting overcame me, and I wanted to start something new while on vacation.  I decided to cast aside my concerns that the fit of the tunic would hug a little too tightly in certain places and just go for it… it has openings on the lower sides, after all.

Ruckle is a design by Norah Gaughan, one of my favorite knitwear designers.  This pattern is actually free, if you decide to make one for yourself!  It's knit with Berroco Lago yarn, a worsted weight rayon/linen blend.  I decided to go with the Deep End colorway, after the rich, blue shade stood out to me.  Does anyone else find it difficult to choose colors for a new garment?  I try to go with hues that I haven't used very much or at all on other projects, but somehow it's hard to go with something that unique from my usual color choices.  I'm just really drawn to bold, cool tones.  Alas…

This design has a very unique construction.  You start with panels that make up the top of the shoulders, wrapping around the neck.  The stitches for the body are picked up from these panels and knit top-down from there.  That large garter stitch section that spans from sleeve tip to sleeve tip seems to take forever, but the body goes relatively quickly after that.  At the bottom, short row shaping forms the lower part of the tunic.  I'm still working on the garter section of the 2nd side, so it will likely be another week or two before I have finished photos for this one.  Finishing up some designs of my own has been taking away from recreational knitting, but the good news is that I should have a new pattern available very soon, and another to follow shortly after that!  I hope you're having a great Friday, and enjoy your weekend!

52 Forms of Fungi || #31

I've always loved looking at photos of this type of fungi - the brightness of the colors and stacked/fanned out growth habit are very beautiful.  Sulfur shelf, or chicken of the woods mushroom, grows on living or dead trees, often on the main trunk.  Its presence on a living tree indicates extensive decay and increased potential for tree failure.

This is another piece which Berroco so kindly provided yarn for me to create.  Made with Ultra Alpaca, the color ways shown are Masa and Grove Mix.  I still have a few more phases left involving the lovely Berroco yarns!

This structure was knitted as part of my 52 Forms of Fungi project. Check out more of the forms from this project.

52 Forms of Fungi || #30

Cedar-apple rust (or hawthorne, or quince, etc) is one of the most alien looking natural wonders that I have witnessed in my area.  A multiple host disease, it passes back and forth between eastern red cedar and apple.  It affects other trees in that family here as well.  The cedar stage involves the formation of these bright orange, gelatinous tendrils coming forth from a dark brown gall-like sphere in the spring months. Red cedar doesn't seem to come to harm from it, though the other host will develop protrusions of its own on its leaves and continually defoliate.  We've had problems with hawthorne trees in the landscape due to this… they just don't do well.

The fruiting structures are fascinating, though!  I love observing them.  The first year I noticed this disease was a very prolific year for the structures, and I remember just being awestruck!

Rusts don't fall into the same group as the other things knitted for this project, but they're still in Kingdom Fungi so I think that's close enough--don't you?  If anyone has photos they have taken of cedar apple rust in its fullness, please post one on my Facebook wall and I will share it with the page!  We didn't get much rain this spring, so the ones I saw (below, at the bottom of the post) had already dried up by the next time I went out.

An added bonus: Here is what the eastern red cedar stage looks like when the fruiting structure is just starting to form!

Mushroom (The Journal of Wild Mushrooming) Feature

A few days ago I was excited to return from vacation to find the latest issue of Mushroom: The Journal of Wild Mushrooming in our stack of mail from the week.  Inside was a nice little feature on my 52 Forms of Fungi project!  (speaking of which, I will have a new post for the series up next week!)

 Thank you very much to Leon and the folks at Mushroom The Journal for sharing my work - it's very exciting to see in print!  I'm glad to have been made aware of this publication with its abundance of great information and interesting articles about fungi.  Interested in subscribing?  You can learn how, here!

If you found my blog through the article, welcome and thank you for following along.  Happy mushrooming!

Off the Needles || Featherweight Cardigan

Phase four in my saga of Hannah Fettig patterns.  This cardigan was knit with lace weight yarn.  Yes, lace weight!  It certainly lives up to its name, however, as it's light as a feather.  Featherweight.  As I've said with all of these Knitbot projects, despite the small gauge the stockinette pattern makes it a breeze to get through.

I added an inch to the body length since I'm not a big cropped top type of person, though it's still not what I would call a "long" garment by any means.  Perfect for a high waisted skirt or perhaps worn over a tunic, however.  I had to block it a little more aggressively than usual to stretch the arms a little, because initially they turned out a little tight.  The cardigan is fitted, but has great drape so it's not the sort of piece that I feel like I'll be tugging on all the time or uncomfortable in by any means.  This will more than likely go into my bank of repeatable patterns and eventually I'd like to have one or two more in solid colors!

The final comment I have about this project is related to my folly in recognizing that my yarn came in different dye lots.  I was halfway through the first sleeve before I noticed that the yarn used for the body was much duller than the rest which had more of a chestnut hue (the living room where I mostly knit is rather dim…)  Since both sleeves were knit with this other dye lot, it turned out rather symmetrical and to be honest I don't really even notice the difference much.  Sigh of relief!

Top - Loft; Skirt - Forever 21